Sunday
September 6, 1846
Sunday dispatch (New York [N.Y.]) — New York, New York City
“An American Abroad Insults English Oysters (1846): 'Our Clams Are Tougher'”
Art Deco mural for September 6, 1846
Original newspaper scan from September 6, 1846
Original front page — Sunday dispatch (New York [N.Y.]) — Click to enlarge
Full-size newspaper scan
What's on the Front Page

The Sunday Dispatch—a three-cent weekly newspaper published on Ann Street in New York—leads with a serialized travel journal from Robert E. H. Levering's recent tour of Great Britain and Ireland. This installment focuses on Liverpool, where Levering samples local delicacies (oysters, shrimp, sea snails) and finds them inferior to American versions, declaring New York oysters superior and English seafood disappointingly tough. He observes that English merchants move with such frantic haste—'walk-run-fly style'—that they seem chased by Starvation itself, a phenomenon he blames on damp English weather that's turned the populace 'amphibious.' The journal also includes observations on fashion differences: English style is uniform and tyrannical (all following London's dictates), while American fashion celebrates diversity across Boston, New York, and Philadelphia, with American women boasting 'better features and forms' than their English counterparts—though he grudgingly admits that a truly accomplished English lady can exceed in beauty. The page also begins serializing 'Anna Cawton,' a prize tale by Miss Elizabeth S. Sanger of New Hartford about two cousins whose contrasting upbringings—one frivolous and fashionable, one devoted to moral education—will demonstrate 'the blighting effects of envy.'

Why It Matters

In 1846, America was intoxicated with itself. The nation had recently emerged victorious from the Mexican-American War (just concluded in February), and Manifest Destiny was reshaping the continent. This newspaper page captures a moment when Americans—particularly educated New Yorkers—were confidently comparing themselves to Britain and often finding themselves superior. Levering's comparisons of oysters, beauty standards, and commercial vigor reflect a broader American confidence that would define the next decades. Meanwhile, the serialized fiction tackling themes of envy and moral education reflects the era's intense focus on character-building and virtue—anxieties about rapid industrialization and urbanization that plagued the 1840s middle class.

Hidden Gems
  • The Sunday Dispatch cost three cents per week to city subscribers or one dollar per year by mail—at a time when a day laborer earned about a dollar daily, making subscription a genuine luxury reserved for the literate middle class.
  • Oyster prices are quoted as 'fid' (farthing) per dozen for largest, and '18 for fid' for smaller—a pricing structure from British currency that shows Liverpool's continuing imperial distance from American standardization.
  • Levering compares the unemployed beggars he saw near Chester 'running a race for a loaf of bread' to English merchants chasing ten-pound notes, drawing a startling moral equivalence between poverty and capitalist obsession that was radical social commentary for 1846.
  • The Mount on St. James's Walk was deliberately engineered during a winter of scarcity to employ the poor—an early public works program that predates the Progressive Era's professionalization of such interventions.
  • Advertisement rates are precisely one dollar per square (sixteen lines) for first insertion, fifty cents thereafter—suggesting the paper was still establishing itself (this is volume 1, number 40) and competing aggressively for merchant advertising revenue.
Fun Facts
  • Robert E. H. Levering's dismissal of English oysters as 'saltish' and 'tough as American clams' captures a moment when American food quality was genuinely becoming competitive with Britain—by the 1850s, American-grown produce and preserved foods would begin flooding British markets, reversing centuries of colonial dependence.
  • Levering mentions the celebrated artist Gainsborough in reference to the Liverpool landscape—Gainsborough died in 1788, making these paintings already 60 years old by 1846, showing how Americans revered British artistic heritage even while claiming aesthetic superiority.
  • His observation that English fashion follows one throne (London) while American fashion worships '20,000 gods and goddesses' in Boston, New York, and Philadelphia would prove prescient: within 20 years, New York would consolidate fashion dominance through department stores like A.T. Stewart, eventually displacing Boston and Philadelphia entirely.
  • Miss Elizabeth S. Sanger's prize tale 'Anna Cawton' addresses envy and moral character in childhood—Sanger would go on to become a prominent advocate for women's education and public health in New York, making this serialization a rare early publication for a writer whose feminist writings would emerge in the 1850s.
  • The paper's publication at 41 Ann Street places it near New York's newspaper row, where dozens of papers competed fiercely; within a decade, the rise of the telegraph and the penny press would transform journalism, making specialized weeklies like this one obsolete by 1860.
Triumphant Arts Culture Economy Trade Immigration
September 5, 1846 September 7, 1846

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